Modern · Erik Satie

Gymnopedie No.1 Easy Piano Letter Notes

Follow two upper-melody phrases, giving the long F-sharp room to settle before the return.

Easy to intermediate D major 66 BPMUpdated October 28, 2026
YOUR PRACTICE SPACE

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-F#5A5G5F#5C#5B4C#5D5A4F#4-F#5A5G5F#5C#5B4C#5D5A4C#5F#5

Letters name the notes. The number tells you the octave. Brackets [ ] = play together. A dash = rest.

Easy uses even beats. Intermediate adds a bass guide. Original key keeps the entered excerpt rhythm, not a complete original score.

Upper-melody study of bars 5-18. The four-bar introduction is omitted; one beat precedes the melody. Original key joins the tied F#4 in bars 9-12 into a twelve-beat hold. Intermediate adds ten isolated bass cues. Easy makes every event one beat. The 42-beat Original key study ends at bar 18, before the low-E continuation.

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Practice preview: a theme excerpt

This site-created study is waiting for human play-through and source-edition approval. It is not the complete score.

FIND YOUR RHYTHM

How to play Gymnopedie No.1 with letters

Choose Easy and start with the first eight notes. Each letter names a piano pitch; the number identifies its octave. C4 is middle C, and a # raises a note by one semitone. Press Play to hear the melody and follow the highlighted notes on the keyboard.

Easy gives the pitches a steady one-beat pulse. When the notes feel familiar, try Original key for the entered excerpt rhythm. Intermediate adds occasional bass notes as a coordination exercise. Brackets mean play the enclosed pitches at the same time, and a dash means leave a short rest.

Use the speed menu to give your hands time to move. The transpose controls shift every pitch together, and the copied notes, PDF, MIDI, and MusicXML follow your current selection. A shared link remembers the difficulty, transposition, format, and speed. The virtual piano text records pitch order and chords; listen to the player or use MIDI for timing.

Five little things to practice

  1. Find F-sharp and C-sharp before playing the upper line.
  2. Leave one beat of silence before the first F-sharp in Original key mode.
  3. Move your hand for F-sharp to A instead of stretching the fingers.
  4. Count the A for three beats, then the lower F-sharp for twelve beats in Original key mode.
  5. Treat the Intermediate bass notes as isolated practice cues, not the complete accompaniment.

A little about the melody

This study uses the upper melody in bars 5 through 18 of the first Gymnopedie. The four accompaniment-only opening bars are omitted. The two-sharp setting uses F-sharp and C-sharp. This short reduction leaves out the original chord texture and the rest of the piece.

Keep your first session short enough to feel comfortable. Work on a phrase you can repeat with relaxed hands, then connect it to the next one. A clean, slow repetition gives you a more useful reference than a fast run with uncertain notes. If a leap feels awkward, pause and find the destination key before trying it in time.

From the browser to your piano

Copy the named letter notes for a quick reference, or choose PDF for a practice page with the title and source information. Print opens your browser’s print dialog. MIDI preserves the pitches, rests, chords, and selected playback speed for practice in a compatible music app. MusicXML is a minimal educational export; its phrase timing should be checked in your notation program.

The printable sheet also opens without JavaScript. Browser playback uses a synthesized piano-like tone and requires an initial tap or click. It is a pitch and rhythm reference for this study rather than a recording of the complete composition.

A FEW GOOD QUESTIONS

Before you play

Where does this Gymnopedie No.1 study begin?

It begins with the one-beat gap before the upper melody in source bar 5. The original has four accompaniment-only bars before that point; they are outside this study.

How long should I hold the lower F-sharp?

Original key joins the tied F#4 in bars 9-12 into one twelve-beat event. Easy shortens it to one beat so you can first learn the pitch sequence. The study then continues through bar 18 and ends with a three-beat F#5; the low-E continuation is omitted.

Why do I need F-sharp and C-sharp?

The source uses a two-sharp signature. Mark those black keys before reading F#5, A5, G5, F#5, C#5. Try finding those keys before starting playback, then follow the opening phrase slowly.

Does Intermediate include Satie's complete left hand?

No. It adds ten isolated G3, D3, F#3, or B3 cues at selected melody attacks. The source has a much lower bass and repeated accompanying chords. That original texture is omitted.

Can I print the Gymnopedie No.1 study?

Yes. Print or PDF uses the selected settings; the standalone printable reference always uses Easy in the study key. These are draft educational notes awaiting human play-through and source-edition approval, not an approved complete score.

Know where the notes come from

Source: Mutopia #37, readable LilyPond reference

Historical work reference: 1888. This is a work reference, not approval of a specific modern edition.

Readable source: Mutopia-2014/12/14-37. Typeset by Evin Robertson. The source header names a Dover reproduction and declares Public Domain.

Source inspection is not edition approval. The Dover publication year is not supplied in the file. Its comment excludes the added English translations; none are used here. Human comparison and jurisdiction review remain pending.

Edition notes: Site-created educational excerpt of a public-domain melody. Specific source edition and arrangement await Owner review.

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